Tag Archives: learning song

Pop songs for boys under 10

Teaching boys under the age of  10 to enjoy singing lessons and singing.

  1. Start with Fun and Playful Exercises: Introduce singing through fun exercises that engage their imagination and playfulness. Games like “Simon Says” where they mimic vocal sounds or animal noises can be great warm-ups. Encourage them to sing along to their favorite songs or cartoons, making it enjoyable and natural.
  2. Provide Positive Encouragement: Building confidence is crucial at this age. Offer plenty of positive reinforcement and encouragement. Celebrate their efforts, no matter how small, and focus on progress rather than perfection. Create a supportive environment where they feel safe to explore their voice without fear of judgment.
  3. Incorporate Visual and Kinesthetic Learning: Young boys often respond well to visual and kinesthetic learning. Use visual aids like diagrams of vocal anatomy to explain concepts in a simple and engaging manner. Encourage physical movements that help with breath control and vocal projection, such as stretching or pretending to blow bubbles. Incorporating movement into singing can make it more dynamic and enjoyable for them.

By combining these approaches, you can make learning to sing a fun and rewarding experience, setting a strong foundation for their musical journey ahead.

The following songs are popular, catchy, and have relatively simple melodies and lyrics, making them suitable for young boys to sing along with and enjoy.

Number One: Hound Dog by Elvis Presley

This is a very repetitive song and has a small vocal range, making it very easy for young boys to learn quickly, sing and enjoy.

Number Two: Here comes the sun by the Beatles

Always check the key the song is in and if that key suits the child.  Sometimes you may need to raise the key to make it easier to sing in their vocal range.  Remember, these voices are still immature and they don’t have the vocal chords that an adult male has, meaning they are not yet able to sing really low notes.

Here is the Beatles version, as well as the same song in a higher key.

Number Three: Count on me by Bruno Mars

Number Four: Rip Tide by Vance Joy

Number Five: Kung Fu Fighting by Carl Douglas

Number Six: It’s a good day to have a great day by Russell Dickerson

click on CC (closed captions) to see the lyrics

Number Seven: Can’t stop the feeling by Justin Timberlake

Number Eight: Footloose by Kenny Loggins

Number Nine: Fireflies by Owl City

Number Ten: Lanterns by Birds of Tokyo

Number Eleven: Crocodile Rock by Elton John

Number Twelve: Best day of my life by American Authors

What to sing?

St Patrick’s Day

Folk music is music from a country, usually composed and performed by the people of that country.  There is Australian folk music (think of Waltzing Matilda) American folk music (Home on the range) and if you named a country there would be a well known folk song from there. Most folk songs are very old and the composer is often anonymous, because we just don’t know who originally wrote the song. I love the folk music of Ireland.  The most well known folk song from Ireland is “Danny Boy”. I have linked some videos down below if you would like to sing along.

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Practice, Practice, Practice

It has been a very busy week for me this week, as along with everything I usually do in a week, I am also preparing for an audition.  I haven’t done one of these in a long time, and although it is a little stressful, it is wonderful that things are starting to get back to normal so that shows can once again be staged.
Usually I like to be well prepared for auditions, but for some reason, this one has crept up on me. In an audition they usually ask you to perform something from the show, and then a section of a song that is similar in style to the show you are auditioning for.

I chose to sing the beginning of The worst pies in London from Sweeny Todd. Now Sondheim, the composer composes very challenging music.  You can watch a performance by the amazing Patti Lupone here.

The challenge here was the words. It is so fast and there is no time to think, they have to be known.
So how do you go about learning something like this in 4 days?  Well you practice really hard.

Some of the things I have done to learn the piece include: Listening to the recording at least 50 times, probably more. Chunking it up. Learn the first phrase, add the next and so on. I broke it up also into two sections, the first one has lots of fast phrases, the second section is more legato and you have a little more time to think. As soon as I wake up in the morning, I go through the lyrics for about 15 minutes, then probably sing through the song about 10 times.

Whenever I had a spare moment during the day, I would play the music on my phone. I would spend time in front of the music score looking for clues about how to sing the piece accurately, revise lyrics, rhythm and melody. I spent about an hour each day doing this.  After a couple of days I would start to attempt to put some moves with the music to be able to perform the song, not just sing it. Then go over and over and over it until I feel confident I can sing it accurately. I was even going through it in my head while swimming my morning laps at the pool.

In total I guess I have spent approximately 3 hours a day rehearsing.
This gives you a bit of a clue as to how much practice is required to learn a 90 second piece of a song.

If you would like to have individual singing lessons with me, please click on this link to register your details.

Sing like Adele: Easy on me

Today we are going to have a look at a very small section of Adele’s song Easy on me.

We are just going to do the very beginning of the chorus:  Go easy on me baby.

There are a couple of things to look at in this small section of the song.

It’s a great song, and if you haven’t listened to the whole song you can click on this link to listen to it on you tube.

The song is in F major, and this phrase begins with the tonic note, which is the beginning not of the scale -F and then you sing up a fifth, or leap up, which is the fifth note of the scale which is C.

You will find fifth intervals in lots of songs. Intervals are important to practice so that when we sing them, we land accurately on them.

Practice on the sound ng, which is the sound at the end of the word sing. The sound is closed (the tongue and soft palate are together) but you can open your mouth when you sing. This aims the sound into the front of the face.

You want to glissando (slide) up and down.  As you go up, think more like you are landing on the note rather than revving up a hill.

 

Onsets

When you are attacking a phrase, especially one that begins with a vowel, there are a number of different ways you can sing it.

  1. Clean onset: the vocal chords come together cleanly with the sound to make a smooth, light and clear sound. To do this, connect the two words go-easy, like one word to keep it smooth.
  2. Aspirate/breathy onset. Air is pushed through the vocal chords to make a breathy, airy sound. Adding a h also makes it even more breathy.
  3. Glottal onset. The vocal chords come together quite hard to make a very strong and hard sound.

 

 

A great book for beginning singers

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30DaySinger.com Online Singing Lessons

Why have a singing teacher?

I have been visiting various singing websites lately and have found many of them to have great ideas and ways to help singers.

One thing I have noticed on a couple of the websites is their claim that you don’t need to have face to face lessons to sing well, just watch my videos and you can become the greatest singer.  For me this is a one way street.

My comment to this is if you don’t know what you are doing wrong, you can never know what you are doing right.

Feedback is integral to good progress.  Feedback is the rocket fuel that propels the acquisition of knowledge and without it, no amount of practice or watching videos is going to get you there.

A singing teacher is not merely there to offer encouragement and assessing levels of concentration, they are also on the lookout for small technical glitches that may have escaped the attention of their student.

You can get the basics from reading material or watching videos, but I would highly recommend you seek out a singing teacher or at least a mentor who can give you appropriate feedback and guide you on your musical journey.

teaching singing

Newsletter 1 2016

Welcome back to another year of singing!

It has been wonderful greeting students for the new year, hearing about their holiday adventures and seeing their joy at returning to lessons.

For the adult students there has been less about holidays ( unfortunately) but there has certainly be the same enthusiasm as they arrive for lessons.

For students who have been studying with me for a while, it has been great to hear their voices again and realize the progress they have been making vocally. It has been so exciting to hear the way their voices have matured and developed.  For new students it has been exciting starting with them and helping them uncover the voice they have inside them.

A big welcome to all the new students who have started for 2016.  I look forward to working with you on your musical journey!

News from the Studio:

PRACTICE BLITZ!

Students have new repertoire to start working on for 2016.

To get you into a practice routine I am holding a practice blitz for the next two weeks.

The blitz will run from Monday 22nd February until Sunday 6th March .  All you need to do is practice consistently and record your practice times on the singing strong website.  (remember you have to log into your account to fill in the details. If you need help with this please let me know.) You can log in at the bottom of this post.

There will be prizes and surprises for the person who clocks up the most practice hours!

Take some time now to work out times during the week when you can dedicate 15 -20 minutes to practice.  Record this on your calendar and then stick to it!

Student achievements:

Congratulations to all the students who participated in the Summer Pantomime “Aladdin”.  It was  a fun show and  I thoroughly enjoyed myself when I went to see it.

aladdin

Congratulations to Alicia Hooimeyer who played the title role and to Sophia Patikisa who was a gorgeous Jasmine.

 

 

 

 

aladdin2Hollie Gibson was terrific as the dog and there were other fantastic performances from the following students as well:

Ella Brent

Zahra Hanratty

Ella Hill

Paige Horn

Maddison Logue

Britney Nelthorpe

Sebastian Poole

 

aladdinall

 

 

 

 

 

 

 

 

There are numerous students involved in the many productions that will be held during 2016. I will keep you informed as they come up.

Cafe Concert

I have tentatively booked our first term Cafe Concert for Wednesday 16th March from 6.30pm.  Please put this date in your diary.  I understand that some of you will have commitments on this evening, but it would be appreciated if you are able to come and sing, even if you are only able to pop in and out.

I will put out some more information about this event during the week.

 

So let’s get singing!  Have a great week.

Dream!

 

 

The power of “Yet”

Music and singing requires accuracy and skill to be the best at your game.
More often than not we fall short of this and usually give up. Too often I hear from my students “I can’t do it, it’s too difficult”.
And they stop. They stop trying, stop persisting and then fail to make progress.

I like to use the words “not yet” all the time.
I have learned from years of experience, that when faced with something difficult it is important to remind ourselves that it will take time to master it.
With our ‘instant’ society we tend to believe that if I don’t get it straight away then it will not happen.
Working with children I sadly see this all the time.
By constantly reminding them that it is ok to have a go and get it wrong, and try again and again if you need to, they start to realize that if they persist eventually they will get it.

If you are studying anything and finding you are getting nowhere, it may be because you have hit a road block and instead of saying not yet have not bothered to look for a way around it and given up.

Tell yourself that “I haven’t  learned  ________________  yet!”  That little word makes such a difference to your end result.

Einstein-Persist

Musical Problem Solving in 10 easy steps

When practicing it is important to have specific things to focus on during practice sessions.

Quite often we go through a song, find challenging sections within the song, struggle through these, get to the end of the song and then go through it again.   This doesn’t achieve much as you continue to struggle through these difficult sections.

What you need to do however is to “chunk” the song into parts, and then focus on the parts that are giving you difficulty. Once they are resolved, then go through the whole song.

Below are 10 steps you can follow to help you with your practice:

ear

 

 

 

 

1. Listen

Listen to the performance of a piece or section of a piece.

stethoscope

 

 

 

 

 

 

2. Diagnose

Where are the problems?

 

3. Choose

What should I fix first?

 

4. Isolate

Find the problem “bite” to fix in five minutes

 

5. Simplify

What can you do to get more comfortable with the problem?

keep-calm-and-repeat-73

 

 

 

 

 

 

6. Repeat

How many times do I need to repeat this drill to get it right?

 

7. Connect

Place the corrected “bite” back into the section of music.

 

8. Generalize

Are there any similar problems in the piece to fix?

 

9. Retain

What do I need to remember to do in practice to fix this problem?

goal

 

 

 

 

 

 

10. Set Goal

What will you accomplish with this song in the next week?

 

Congratulations! You are now a successful Problem Solver!